“ An Original Theory or New Hypothesis of the Universe. Plate XXXI. ”. By Thomas Wright. Public Domain
In May, CC’s Open Culture Program hosted a new webinar in our Open Culture Live series titled “Open Culture in the Age of AI: Concerns, Hopes and Opportunities.” In this blog post we share key takeaways and a link to the recording.
“ An Original Theory or New Hypothesis of the Universe. Plate XXXI. ”. By Thomas Wright. Public Domain
On Wednesday, 8 May 2024, at 2:00 pm UTC, CC’s Open Culture Program will be hosting a new webinar in our Open Culture Live series titled “Open Culture in the Age of AI: Concerns, Hopes and Opportunities.”
Duria Antiquior by Henry De la Beche, National Museum Cardiff, Public Domain
Today we in the Open Culture Program are releasing a new publication: Don’t be a Dinosaur; or, The Benefits of Open Culture.
Creative Commons is proud to announce the launch of “Introduction to Open Educational Resources,” our first professional development microcredential course and partnership with the University of Nebraska at Omaha, commencing on 31 May. This microcredential pilot started with one CC Certificate alumnus’s enthusiasm for open education. Craig Finlay, OER and STEM Librarian at the University…
Close-up of the Brussels' Atomium on a clear day By Geertivp, CC BY-SA 4.0 https://commons.wikimedia.org/wiki/File:Close-up_of_the_Brussels%27_Atomium_on_a_clear_day_(cropped).jpg
Last week, Creative Commons took part in the International Public Domain Day celebration at the Royal Library of Belgium in Brussels. Two engaging roundtables were hosted, delving into copyright issues concerning the public domain and its future. The event united advocates for open access to cultural heritage, featuring presentations on topics like the monetization and decolonization of the public domain, as well as updates on the Europeana Public Domain Charter. Creative Commons introduced new guidelines published in February aimed at encouraging users to reference institutions when utilizing public domain cultural heritage materials.
“Irises, 1889” by Vincent van Gogh, The J. Paul Getty Museum is dedicated to the public domain by CC0.
The J. Paul Getty Museum just released more than 88 thousand works under Creative Commons Zero (CCØ), putting the digital images of items from its impressive collection squarely and unequivocally into the public domain. This is in line with our advocacy efforts at Creative Commons (CC): digital reproductions of public domain material must remain in the public domain. In other words, no new copyright should arise over the creation of a digitized “twin.”
Today, Creative Commons (CC) joins the Digital Public Goods Alliance (DPGA) as a new member. The DPGA is a multi-stakeholder initiative with a mission to accelerate the attainment of the sustainable development goals in low- and middle-income countries by facilitating the discovery, development, use of, and investment in digital public goods (DPGs).
CC’s new guidelines aim to encourage users to refer to host cultural heritage institutions when using public domain materials. Rooted in the Behavioural Insights Team’s EAST Model, they offer institutions practical design ideas to nudge users into referring back to them.
“WIPO SSCR Screenshot” by Creative Commons is licensed via CC BY 4.0.
From 6 to 8 November 2023, Creative Commons participated remotely in the 44th session of the World Intellectual Property Organization Standing Committee on Copyright and Related Rights. In this blog post, we look back on the session’s highlights on broadcasting, exceptions and limitations, and generative AI, from CC’s perspective.
Kyle believes that “the artistic and creative expressions of humanity is the best way to experience our human efforts” and open GLAM makes this a reality for much more than what you can see on a given day in a museum. Open GLAM also helps drive more digitization of collections around the world in an…